LADY BETH: Praise for the novel…

Putting your writing out in the world is a risk. The risk of being criticised. Of being rubbish. Of being ignored. Sometimes though, the risk pays off and I am so grateful for the praise and encouragement I have received so far for LADY BETH and am delighted to share the good word and positive vibes here!

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From Liz Nugent. Author of Unravelling Oliver and Lying in Wait.

Sat down to read the first 30 pages of Lady Beth this afternoon and just kept turning the pages until I’d finished! Compelling grit-lit.

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From Martin Malone. Author of Black Rose Days, Deadly Confederacies and Other Stories, US, Valley of the Peacock Angel, The Silence of the Glasshouse, After Kafra, The Lebanon Diaries.

Given the author’s previous works, a vampire tale, I was a little concerned that the title of Caroline Farrell’s latest novel, Lady Beth, might have been of the same genre, ensuring that I would not have consumed a word beyond its blurb. I’ve had enough of those bloodsuckers. Described as an urban thriller Lady Beth is stylishly written and has Gothic influences in its telling, which lend a splendid and chilling atmosphere to the story.

Set in the seedy world of drugs, the reader is presented with characters that are, too sadly, only too believable. The book steams ahead at a cracking pace, but not so quickly that we lose sight of what’s at stake, and who and what has been lost. The novel deals with loss, some serious secrets and the dark side of human nature, but there are redeeming traits in several of the characters, especially Frankie, who epitomises what it is to be a product of his environment.

Beth escaped a harrowing sub-existence to begin a new life for herself and her baby Jesse, who as a teenager is full of angst and rebellion; he travels the same route as his mother had done years before, to his detriment. When things in her life fully unravel, Beth sets out for revenge against the source of her ills; a confrontation with a brutal and controlling man known as The Poet…one wrong move from her, one hollow sentence, one false expression and she will not live to repeat another.

Lady Beth is a hugely entertaining read with well-crafted characters, and a strong plot-line. There are no vampires, but in hindsight, there actually are, but they’re defanged…which, by the way, makes some of the characters in Lady Beth no less menacing and no less dangerous. Really, a very worthy read.

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From Lissa Oliver. Author of Sainte Bastien, Chantilly Downs, Gala Day and Nero.

Gritty warts-and-all crime thriller, a real page-turner. Plenty of twists and an array of well-drawn characters you care about, propelling you forward to the end.The heroine is a fiercely protective single mother who loses her son to drug addiction and can either cave in completely or seek revenge. Past demons add to her torment. You feel her pain as she hovers on the brink of that agonising choice, the interesting cast of characters around her ready to help in whatever direction she takes. A departure from the usual books I read and well worth it, the author has used an interesting and unusual narrative technique that really adds to the suspense and mystery.

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From Fiona Ashe. Filmmaker and Editor of 31 Years of Hell! 1914-1945

I was captivated first by the eye-catching cover of the book ‘Lady Beth’. As a huge fan of Noir, the imagery immediately drew me into that style. The story lived up to expectations. It’s a thrilling journey into a dangerous world. The story is fuelled by tension and high stakes. I became immersed in the desperate lives of fascinating characters who are all plagued by inner traumas. The book delivers multiple hard-hitting surprises, resulting in a powerful ending. A truly compelling read!

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From Lindsay J Sedgwick. Author of Dad’s Red Dress. Screenwriter of Punky, Wulfie and Barzakh. Playwright of Fried Eggs and All Thumbs.

I devoured it! The story was riveting and not at all what I expected – gritty and dark and very human and sad and a real roller-coaster of a ride! On every page, there were surprises. There’s a rawness to the writing and an energy and the characters are so complex. The choices they make are logical to them but not predictable ever.

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From Bob Gillen. Author of Understanding digital Storytelling, Filmmaking Basics: how to find your creative voice, Apart, The Man at the Door.

Don’t miss this one. A truly dark story, rising up out of the deeps of urban Dublin. A woman lifts herself up from a sordid, soulless past to build a normal life in the light of day. But darkness follows her, waiting for its moment. A death forces her to face her dark realities again, to confront the pain she masked for years. Is redemption possible? The author does an excellent job creating a tight story. Lots of twists and reveals. Strong characters. An exciting read. Caroline Farrell is not afraid to reach down into the dark to pull it back up into the light.

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LADY BETH is available from Amazon Stores and from Kindle Unlimited.

Signed copies are also available from this website HERE

About Caroline…

Caroline is a writer and filmmaker from Dublin Ireland. She is the author of the novels LADY BETH and ARKYNE, STORY OF A VAMPIRE. She has also written several feature length and short screenplays, many of which have won awards.

IN RIBBONS, a short film she wrote and co-produced has already screened at more than thirty festivals worldwide in 2015 and 2016. See awards and nominations here

Her screenplay, IONA’S HOUSE, an urban ghost story, won the Best of Fest Screenplay Award at the Fantasmagorical Film Festival, 2015. Her family fantasy feature script, PIXER KNOWS, reached the finals of the New York Screenplay Awards 2015, The Hollywood Screenplay Competition, 2015, and won the Atlantis Award at the Moondance Film Festival, USA 2011. It was also a finalist in the 2010 PAGE International Screenplay awards.

Her short Film ADAM [2013] was officially selected by The Waterford Film Festival, 2013, and Clones Film Festival, 2013, The Richard Harris International FF, 2014, and was nominated for BEST DRAMA AWARD at Dare Media Underground Film Festival, 2014.

Caroline was also shortlisted at ‘The Waterford Film Festival 2014’ and the ‘Kildare County Arts Film Commission 2014’ for her short script, HUSHAWAY. In 2012, her script, THE BOOK CROSS, was shortlisted for an Irish Film Board Gearrscannain Award. She is currently working on the novel version of her screenplay LADY BETH, which was also selected by the Irish Film and Television Academy for a one-to-one mentoring session with AFI Master, the late Gill Dennis, at the Galway Film Fleadh in 2011.

Signed copies of ‘Arkyne, Story of a Vampire’ are available to purchase from Caroline’s Blog.

“I loved the ending! Tense from chapter to chapter…” Niamh Boyce, Author

“The underlying menace is constant, the story and setting highly original and the cast of characters a delight.”

Lissa Oliver, Author

 

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Director Nick Willing [Neverland, The River King, Tin Man, Alice in Wonderland] described Pixer Knows as “A lovely story, beautifully told – and well written.”

“Pixer Knows” is a beautifully written, utterly original screenplay which will attract younger and older audiences.  [Page Awards Judge]

A regular blogger, Caroline was shortlisted for Littlewoods Ireland Blog Awards in 2016, and long listed for ‘Best Arts & Culture Blog’ in 2015. She is a member of the Irish Film and Television Academy ,The Writers Guild of Ireland, and The Independent Authors Network and regularly reviews Books, Film and Theatre for The Librarian’s Cellar. Caroline is also a member of The access>Cinema Board.