An Omen? Or just the flutterings of a dumb bird?

A Raven sits on my mantelpiece, surveying all and sundry with a haughty eye. Arkyne, as I call him, is cast iron, in body and, yes, I believe, in spirit. He travelled here from a curio and antiques store in a small town called Cashmere in Washington, USA. As I recall, the suitcase didn’t make it onto our flight home from Seattle, well not until two days later, and I worried so for Arkyne, if he would ever get here. My treasured dark-winged harvester.

So, the other day, while we were out, we got a call from our neighbour that our house alarm was going off. Turning back from our journey, all the usual scenarios went through my head, but reaching home, there was silence, the house unturned, except for the strange and unusual code that flashed on the alarm keypad.  A number we had never seen before.

And then I ascended the stairs, and coming at me, invoking my best Tippi Hedren screech and dramatic pose, were two flapping black wings and a haughty eye, heading straight for mine! As I cowered against the impending gouging, my hysterical cry of It’s a bird! somehow translated to It’s a burglar! as it reached the ears of my better half, now downstairs in the kitchen. Thundering up the stairs he bounded, my defender, prepared to face down this unseen intruder, his face – and mine – creasing to confusion as neither burglar – nor bird – presented on the landing!

As my heart rate fluttered downwards, for a moment, I will admit, my very dark and fertile imagination wondered if Arkyne was still on the mantelpiece; if we had somehow found him out. Had we come upon his free gaff flight of fancy? Was this how he spent his time when we were not at home?

Yes, my better half gave me that same pitying get a grip look that you would probably like to give me right now.

We found the dark-winged intruder perched on my favourite chair. My husband opened the window, ordered him off the premises, and out he flew, though not before he hovered for a minute, eye to eye with the source of his liberation. Perhaps to say thanks? Perhaps to depart some omen, some warning, some message… or perhaps, it was simply a look of sympathy to the poor man having to live with this dumb bird!

Going Indie: And Why Not?

I like the term Indie Publishing. I’m an Indie Filmmaker – putting skin in the game to get my films made. I am a storyteller. I write screenplays. I write fiction. So when it comes to novels, why wouldn’t I take the independent route as well? Just like the film industry, you only learn in the ‘doing’ when it comes to writing and producing work, and the past couple of years have taught me a lot in terms of the publishing industry in all of its tranches; traditional, assisted – and self-publishing – of which I have now well and truly dipped the proverbial toe.

I’ve also experimented through the gamut of submitting the traditional way, to writing online and publishing my efforts for feedback, to publishing a finished work in ebook format, to going through the whole shebang with the paperback. I’ve made mistakes and thankfully, my readers have been both encouraging and forgiving. I have learned so much from them, and am grateful. There are also organisations that are invaluable to the advocacy and learning process of self-publishing, The Alliance of Independent Authors being at the forefront of ensuring professionalism and a code of standards.

While working through all of the above, I also sent out a sample of my novel to three of the biggest agents in Ireland; one has yet to reply. The other two did, in quick time, and with professionalism and honesty. While both gave positive and constructive comments on my work, both also stated that they are working in very difficult market conditions, which without doubt, limits the selection of work they can afford to take on. I completely understand that, and have so much admiration for publishing companies who take a chance on new writers and who keep supporting established ones. My experience as a Librarian for almost twenty years, working on a literary festival for seven, I’ve also talked to so many authors from all sides of the industry, whom I greatly admire, and reckon I’ve garnered a pretty comprehensive knowledge of how things work. It’s a tough game. Authors work hard. Publishers work hard. Respect. For now though, I don’t have the advantage of a publishing house at my back for the essentials of editor, proof reads, cover design, marketing and promotion, but I’m managing all that, and continue to learn from it.

Ultimately, the culmination of all of that accumulative learning and ‘doing’ is the fact that I am now in a position to make an informed decision on what is right for me at the present time; to stick with Indie Publishing. And here are my top ten reasons for doing so:

  1. Print-On-Demand! The risk is mine – and mine alone.
  2. Ebooks! Accessible and cheap. I read now more than ever with my Kindle!
  3. I connect directly with Readers and Writers – and learn from them.
  4. The start-up investment is manageable – and balanced by higher royalties.
  5. I retain complete control over everything I publish.
  6. Without contracts, I can write what I like, when I like.
  7. I have the freedom to experiment and to move outside any genre.
  8. The services and support to get it right are out there.
  9. I’m in the exceptionally good company of dedicated and supportive Indie, Traditional and Hybrid authors, more and more of whom are self-publishing back catalogues and/or moving into Indie publishing with new work.
  10. It is fun. The learning, the doing, the achievement. And the possibilities are endless.

I’ve never been a fan of labels, I want to express my writing in the genres and formats that feel right for me. and whether I work on a screenplay, a novel, or a short story, in the end, I am a storyteller.

LADY BETH is available from Amazon Stores.

ARKYNE,STORY OF A VAMPIRE is available from Amazon Stores.

The Spellery Magazine…

Check it out…and not just for the fact that I am featured in the latest edition! Love the cover too!

Take a peek HERE

Or pop over to their FACEBOOK Page


Writers and Authors Feature Interview

Many thanks to Writers and Authors for this recent feature interview


What genre do you write and why?

I write mostly in the horror/supernatural genre, but also in dramatic fiction. I am a screenwriter and filmmaker too, which allows me the freedom to experiment in different genres and formats of storytelling, so in terms of creativity, I have many structures to imagine and develop stories.

Tell us about your latest book.

‘Arkyne, Story of a Vampire’ is my debut novel and is a supernatural tale of myth and magic. It is set mostly in Ireland on the Aran Island of Inis Mor, where Caleb Flaherty encounters the beautiful and mysterious French girl, Coco de Rais, only to discover that she has unwittingly unleashed a daemon vampire, Lucius. Drawn together from vastly different lives and finding themselves in mortal danger, the lovers must accept and utilize the power they have each inherited through their strange and magical lineage.

Did you learn anything from writing your book that was unexpected?

I learned a lot through the process, particularly in terms of the amount of discipline and commitment that is necessary to apply to the long form of novel writing. The story meandered between a screenplay and a novel for a number of years, and eventually, to force myself to finish it, I began to post sample chapters on my blog. I received some very helpful feedback from supportive readers and it really spurred me on to finish it. The sheer satisfaction and sense of accomplishment that I felt on ‘having written’ a novel was also rather unexpected!

Who are your favourite authors?

I have so many, so perhaps I’ll just list the ones I find inspirational in terms of writing: Stephen King, Agatha Christie, Ann Rice, Alice Hoffman, Susan Hill, Neil Gaiman, and lately, David Mitchell and Audrey Niffenegger.

What’s your favourite quote about writing/for writers?

One of my favourites is from Anne Lamott: “When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It’s like singing on a boat during a terrible storm at sea. You can’t stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.” From Bird by Bird: Some Instructions on Writing and Life.

What are your thoughts on self-publishing versus traditional publishing?

I’m in favour of any method that enables an author to get their work out there. I understand how difficult it is for a lot of publishing houses, they simply don’t have the resources to publish every good book that comes their way, so authors have a right to look at alternative paths to publishing. I think people’s attitudes have changed for the better in regard to self-publishing in the last while. Sure, there are works out there that perhaps don’t meet the standard required, but overall, I think the vast majority of Indie Authors are sound, talented people with voices and stories that deserve a platform. I’ve been a librarian for almost 20 years, so I also understand that readers will find the works that speak to them, and whether that is fantasy, horror, crime, dystopian, erotica, western, romance, high-brow literature, classics or whatever else, taste is taste and there is an author out there to meet that need. Self-publishing bridges many gap, particularly with ebooks, supplying reading material that is cheaper and in abundance, and that means that more books are read, and more people are reading. Who can argue with that?

What’s the best thing about being a writer?

Giving yourself permission to daydream, to imagine and to live in the fantastical worlds with the magnificent characters that exist inside your head!

What advice do you have for other writers?

Be brave. Write what you want to write. Write what you want to read. Look for feedback from people you trust and admire. Take the negative in your stride, don’t respond to it. Save your energy and embrace only the constructive criticism. Don’t assume you are better than anyone else. Don’t assume you are not as good as anyone else; you are unique, so strive to express your work in your own voice. Take inspiration from your own experience. Don’t try to imitate others. Keep at it.

Where can people find out more about you and your writing?

I’m always delighted to connect with readers.

I have a website and blog:

I’m also on Facebook:

And Twitter: @CarolineAuthor

Where can a reader purchase your book?

Links to purchase ‘Arkyne, Story of a Vampire’ can be found here:

To Dream On and Dream Big…

No reminiscence, no resolutions, just looking forward, dreaming big, and thankful. Thankful to the people I’ve connected with so far; the ones who contributed to helping me create good work; the ones who were at my back and remain there; the ones I look forward to working with this year.

ADAM Short Film 2013

Cover image with titles

Cover title

Hushaway cover photo

And as I knuckle down to push ahead, this will be my self-penned mantra…

Be where your soul needs to be, and whether light or shade, cherish the experiences that have made you richer, wiser, stronger. Take what you have learned, sprinkle it with hope to dream on and dream big.

Here’s to a magical, peaceful and creative New Year for all of us.

To Stoker with Love: The Birthday Gift

To celebrate the centenary of Bram Stoker’s death, lots of fun stuff of the gothic variety has been happening in Dublin over this weekend…walking tours, literary workshops, street theatre and much more, all dedicated to the greatness of his life and work…and none of which I could attend, due to an untimely flu bug.

To make myself feel better, I am posting a short story of mine, The Birthday Gift, which incidentally, took Third Prize in the Bram Stoker Literary Festival in 2010. The story, written many years before, languished in the virtual bottom drawer for many years before inspiring me to write my first attempt at a novel and feature script, ARKYNE…

So, as a personal ode to the great man himself, there ya go...

The Birthday Gift

Midsummer’s Night, 1649

Heavy oak dulled the sounds of the revelry below stairs as Ursula quietly closed her bedroom door. Her hips swayed gracefully as she sashayed across the room to lift her wash jug and pour out her bath water. And as the trickle swirled into the small ceramic basin, tickling sensuously between her elegant fingers, the birthday girl just could not help but smile at the reflection in her looking-glass.

With a sense of rippling excitement, she loosened the bodice of her pretty dress, untying the delicate ribbons that held her full linen sleeves in soft billows.  How lucky she was. Blessed, as her mama always said, with a tiny waist, Ursula did not have to resort to the torturous wooden busks that some of the local girls bound into their under garments. She shuddered now at the thought of their corsets pulled so tightly around their torsos, their squashed rib cages leaving the foolish girls so open to all sorts of maladies.

Yes, she was the lucky one. Sweet sixteen…and she did so like the manner in which her new corset swelled her breasts, and how the sensation caused her to feel so alluring when HIS gaze had lingered there.

Standing naked now, in the half-light of dusk and candle, she lifted her head to listen to some soft and muted bird sound from outside her closed window. A cuckoo; it was very bad luck to hear one on this, the longest day…or so her mama always told her.

Ursula shrugged the thought away and finished her cleansing ritual, then carefully concealed beneath her pillow the silk-wrapped love-philtre of purple-flowered mandrake that her mama had mixed for her last Friday, the sacred day of Venus. Bad luck indeed, she thought dismissively.

‘To Venus, the goddess of love and the queen of the earth, of heaven and of hell, and hail to the wind, the earth, the fire and the water,’ she whispered, ‘I call for HIM to come to me of his own free will and to share with me this joyous love.’

Throwing open her window, she leaned out to inhale deep cleansing breaths. The scent of roses and moistened twigs hung sweetly in the air, and the house had gone completely quiet, the soft sounds of the oboe and the laughing, dancing girls from the party earlier now quelled for the night as she moved to lie down on her bed.

She was counting the minutes, lying there, and waiting. Unable to contain her excitement, her fingers traced tiny curlicues up and down her body, and she felt no shame or guilt for the anticipated pleasure she was feeling. Or, for what she was so willing to do now, for this was what she wanted most in the world…and it soothed her conscience to know that Ursula had her mama’s blessing.

*         *         *

The nobleman Monsieur Jordan was the perfect suitor for Ursula; her mama repeated this often. Lord of the Castle, built high above their little village, he was a powerful man in this province, wealthy, handsome, and most importantly, quite obviously obsessed with her.

Life had been such a struggle since the unexpected death of her Papa two years previously, a change of fortune was needed now, and Ursula’s mama had assured her that this was the best way to hasten the Monsieur’s proposal. A beautiful young girl like herself would surely be an asset to him. Much more mature than the other girls her age, whom Ursula knew, at any opportunity, would fall over themselves to vie for HIS attentions.

The Monsieur had chosen her though, with her delicate features, her plump, pink cheeks and luscious dark ringlets, falling against her shiny smooth forehead to shield her ultimate weapon of seduction; the violet blue eyes that had every man and boy in the village falling at her feet.

Ever conscious of the potency of her own beauty, she did not care that the others called her unkind names, said that she was vain. A sorceress, they accused, using her body and her dark gifts to secure her future. They were just envious of course, jealous of her magnetism, and her power of bewitchment.

Her love-philtre clutched to her breast, she watched the moonlight from the open window beam across her bed, and a small gasp escaped her as a dark silhouette of a bird appeared to form on her bedroom wall.

A shadow fell across the silhouette, and HE appeared in the doorway, his presence charging the atmosphere, and her waiting body, with hot fire. She could smell him, the earthy leather of his riding boots, a heady mix of night air, tobacco, and that tantalizing odour that wafted from the silk shirt he cast aside to bend and kiss her burning forehead.

She tasted the rich, fruity Cabernet from the earlier revelry as his tongue moved fleetingly across hers. Ursula could hardly contain herself, her legs longing to be wrapped around his strong body, her hands ready to pull at his unruly, coal-black hair. He held her back though, stifling her passion. ‘Why are you filled with such haste?’ He whispered, ‘Should not a lady possess the virtue of patience? Should the gift that you offer to me now not be so rushed or so impatiently unwrapped?’

Ursula’s heart fluttered like urgent gossamer wings that opened and closed with his touch. He wanted her, and so, he must love her. Why else would he ingratiate himself into their lives and home? Beguiling her widowed mother with his handsome stature and breathtaking charm, so that he might, at first hand, watch as she transformed from the skinny boy-like creature of two years ago, when he’d first set eyes on her.

And when he had suggested this party in honour of her birthday, her mama had taken it as a sign that he was making ready his proposal.  Why else would he go to such lengths to secure the finest musician in the town, invite the noblest guests and provide the best food and most expensive wine? The latter of which she had longed to drink, playfully clasping her hands over his to bring the cup to her lips. He would have none of it and had reprimanded her, the protective gesture causing her to want him even more.

‘My lady must remain as pure on the inside as she deigns to be on the outside’, he told her softly, his lips teasing at her earlobe, sending a rush of warm air across the nape of her neck and down her spine. And when he swept her up to dance, her forehead barely touched his chin as they twirled and swayed, their bodies moving in unison and so close, she thought she might pass out with the sheer pain of want and pleasure.

She could hear the jealous sighs and clicks of tongues as the eyes of the other girls bored into her, and Ursula found herself enjoying every minute of their displeasure.  And how she had loved the feeling as he let those ravenous eyes travel across her brow, her neck, her glistening lips, her décolletage…and when the party finally ended, she knew for sure what she had to do

*         *         *

The magic hath spoken. She sat up suddenly to speak, her breathing heavy as he put his finger to her lips in quiescence and bent to kiss her forehead, his fingers running along her neck to rest on her breast. The sound of wings, flapping furiously outside, could be heard.

‘Listen. Can you hear that?’ she asked.

‘Your beating heart?’ He answered, and she almost sobbed with joy at his touch.

‘It is the cuckoo!’ she cried.

‘A cuckoo you say? Perhaps it is your mama, should I leave now?’

‘No!’ Ursula pleaded, ‘Oh, but you are mocking me–‘. He silenced her then with a kiss, a beautiful, long and tender kiss to which she responded only too eagerly.

‘You are so hungry to please me. Whatever would the cuckoo say?’ he teased.

Ursula could not contain her childish giggles as he quietened her again, covering her body with his own. ‘What an intoxicating creature you are, what if I–‘

‘What if — kind Sir?’ She asked with childish coquettishness.

‘What if I were to make you mine forever?’ The words she had so longed to hear melted over her like sweetened syrup.

‘I give myself to you willingly.’ Ursula pulled him closer. ‘For all that I desire is to be yours.’

He slowly raised her arms above her head and secured her wrists with one hand. ‘And so you will have what you desire!’  His strong back arched as he entered her, the sudden violent thrusts making her body stiffen with pain while he carried on, oblivious to her cries for him to stop. Cruel eyes, no longer dark with passion, but filled with a pleasure of another kind, now met her startled expression as he stifled her screams. At the end, he shuddered violently, transformed, his pallor turned yellow, his skin cracked, his eyes sunken in his head. ‘And you will serve your purpose in the hell of this earth that I am bound to for eternity!’ He roughly withdrew from her, parting his lips to reveal sharp, broken yellow fangs, the foulest of odours emanating from deep inside him. Ursula’s body had grown slack now, shocked and petrified beneath him as he slithered low to place his mouth on her quivering belly and sink his teeth into her soft flesh.

The pain of his stabbing, saliva-drenched teeth and tongue on her skin caused her to retch violently as he sucked at her until he drew her virgin blood…and drank it. With his appetite sated, he ran his sharp blackened fingernail across her lips and stained them with her own blood as she sobbed pitifully and tried to bury her face in her pillow.  He forced her to look at him, to look inside those dead, cruel eyes, mocking her.

‘But you were so willing my sweet.’ He pulled her up towards him and greedily licked the tears from her face, ‘and all is not lost my lovely, for you will serve me well, a hearty vessel for the son that I crave.’ He pushed her roughly back onto her bed and stepped away, his appearance returning to normal as he blew her a heartless kiss before leaping from the window with the agility of an animal.

As she vomited from the pain and the hideous stench that lingered there, after him, Ursula turned her head, towards the silhouette of the bird, still perched outside on her window ledge, its wings flapping…and she listened to HIS low derisive laughter, fading from the silent house as he disappeared into the grey static of the night.

Confused and enduring unspeakable pain, she heard the hooves of his black steed as he galloped away, and then, was consumed by the silence and the stench that lingered in his wake. Too frightened to move or cry out, she plunged between dreams and reality and heard it again, that sweet sorrowful melody of the cuckoo, playing over and over, a tune that left her trance-like…until, inside her head, she began to hear a child’s sob.

A sob so terrifying, it convulsed her body and grew so loud that she thought the screams would burst forth from her throbbing skull.

It was only when the light of the new sun began to flood across her room that Ursula dared to heave her aching body from the bed. With fire in her womb, and the brutally jagged and dark crimson stain on her sheet a reminder of the savagery he had inflicted as he tore at her so cruelly, she touched her belly and felt the growing welt of the mark he had left there on her skin. The shape of HIS beast-like fangs, the diabolical mark, branding her forever more, and she realised the ominous truth. She was forsaken. She was damned, and so too, was the rotten fruit of her womb…

The Birthday Gift © 2010 Caroline Farrell. All Rights Reserved

Welcome ladies, to the psychological playground of the horror genre…

As a writer of ghostly and supernatural stories, one of my earliest literary influences as a young teenager came from the classic world of Emily Bronte’s Wuthering Heights. Later, I became obsessed with the vampire chronicles of Anne Rice, the wonderfully gothic and ghostly tales of Susan Hill, and the everyday magic that lyrically dances from the pages of the novels of Alice Hoffman.

So it is very satisfying now, to see a resurgence in the popularity of the genre as more and more female writers delve into what Helen Dunmore refers to as a  “psychological playground”. An apt description, and where I am also quite happy to play, literally!

Although I do write drama, I am always drawn back to mixing up the gothic and the dark fairytale with the horror elements, and many of my stories, The Lupii, Evanescence, Iona’s House, Spinning with the Devil,  and of course, Vampire of Arkyne, all stem from this genre.  I can only aspire to reach the levels of the great ladies mentioned above, but I fully intend to keep trying, and to keep playing!

Anne Rice’s latest novel, The Wolf Gift, to be released on Valentine’s Day, will be my next read…

On Reflection 2011…

Last post of 2011, and like all seriously driven writers and artists should, time to reflect on work done and results of same that will hopefully lead to bigger and better for 2012.

Most of us can be rather critical of our offerings, and I am no exception, so this exercise is really about savouring the good stuff that has been generated this year, acknowledging the talent that I am collaborating with, and also those who have inspired and encouraged me to move forward, do better and most importantly, to keep the faith!

So, the year kicked off with a meeting with Irish/Italian Director, Vittoria Colonna, a powerhouse of talent, beauty and creative energy, and between us, our collaborative project The Captives, which is set in Florence, Italy, has emerged. The first draft was longlisted for the BAFTA Rocliffe New Writing Forum, Edinburgh 2011, and though there is still some way to go with it, we are getting there…

The Literary Journal, REVIVAL, published an extract from my as yet, unfinished novel, LADY BETH. This is also a screenplay that continues to be close to my heart, and one that I intend to keep pushing towards development. In July, IFTA, in collaboration with the Galway Film Festival, awarded the screenplay a one-to-one consultation with Gill Dennis, Master of the American Film Institute and screenwriter of Walk The Line, amongst others. He has mentored a new  generation of filmmakers, including Jonathan Levine (The Wackness), Jacob Estes (Mean Creek) and Goran Dukic (Wristcutters). A true professional and a gentleman, Gill was highly supportive of LADY BETH, and subsequently put me in touch with a very talented, emerging director, whom Gill has also mentored through the AFI. I am very grateful to Gill for his encouragement, and for making those connections with great people and their continuing work to bring the project forward…exciting stuff…

I have still to master the art of the pitch document, so when two of my projects, Arkyne and Lady Beth, were longlisted for the Fresh Voices Pitch Awards, I was pretty chuffed. Particularly with Arkyne, which was the first screenplay I wrote, and began as such an epic tale, I have decided to finally stop faffing around and complete the novel version, Vampire of Arkyne. I should have the draft ready sometime in 2012…

In August, you can just picture the happy gig when my family fantasy script, PIXER KNOWS!, was awarded the Altantis Prize at the Moondance International Film Festival. Another labour of love, it is a big-budget concept, but so far, despite the win, it has been difficult to get the attention of producers, but, I shall persevere…

Two of my screenplays, both of the horror genre, were placed in international competitions, The Lupii, a quarter-finalist in Write Movies Competition, and Evanescence, a second round qualifier of the PAGE International Screenplay awards. Both are early drafts, so I will be doing some work on them in 2012. For whatever reason, I get a real kick out of writing the horror stuff…for those who know me well, that ain’t no surprise at all…

My blog post on Irish Director Terry McMahon’s abrasively brilliant indie film, Charlie Casanova, went far and wide, mainly due to the fact that Terry posted it on his facebook page…great comments on the post, and indeed, the film, of which praise is certainly well deserved!

Also, I need to give a shout out to the members of my Screenwriting Group for their support and endurance of my meanderings, and to Dermot Tynan of Claddagh Films, for his positive actions, as opposed to just talking encouragement…much appreciated…

So, all and all, on the writing front, it has been a positively productive year, which generated work and new relationships that I hope, will carry on into 2012…and as I contemplate the beginnings of, as yet, undreamed worlds, I will end on the wisdom of Shakespeare…

To unpathed waters, undreamed shores.

She Blogs! About Caroline

Welcome to my blog. I am a Writer and Filmmaker, living in Ireland.

Caroline Farrell 1aa








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