The Haunted and Fantastical: Short Film Programme 2017-2018 Season

The Maynooth Film for All Club season finished this month and will resume in October 2018. I was delighted to be invited to present another programme of short films for the season, and had great fun devising a theme and selecting some wonderful films. As always, the standard of submitted productions was very high, but unfortunately, I could only include seven films in the final programme. The theme I chose this time around was ‘The Haunted and Fantastical’ with an aim to screen films that were chilling and unusual and would most likely leave a lasting impression! With a mix of horror, fantasy and even some comedy, we received great feedback from the MFFA audiences, so here is the full selection and congrats to all the filmmakers on the amazing work.

 

THE CLOCKMAKER’S DREAM
A live action fantasy/art-house short, written/directed by Cashell Horgan (Paddy), starring Joe Mullins (Pilgrim Hill), and narrated by Jared Harris (Fringe, Mad Man, Sherlock Holmes, Lincoln, etc.)
http://www.imdb.com/title/tt4837506
http://www.facebook.com/theclockmakersdream

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STRANGERS IN THE NIGHT

Horror Comedy written by Gavin Keane, Directed by Conor McMahon and starring Niamh Algar, Michael Hough, Nora Relihan

https://www.imdb.com/title/tt4515108/

https://www.facebook.com/StrangersintheNightShortFilm

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TH3 ROOM

When Jean clicks on an email link, it seems to be just a static shot of an empty room but on closer inspection all is not what it appears to be.

Written and Directed by Sean Breathnach

https://www.imdb.com/title/tt1855371/

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THE NYMPH

A short fantasy written and directed by Damian Draven, starring Martin Galligan and Anna Ilaya Ozolina

https://www.imdb.com/title/tt4536860/

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THE PIGMAN

An outcast creature pines to be accepted by his local village. One night, outside his mountainous home, an opportunity arises. Written and Directed by Rik Gordon, starring Robert Render, Kathleen Bridget Murphy, Robbie Beggs and Jay Dee

https://www.facebook.com/thepigmanfilm

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SANDBOY

A tale of loss and redemption. Written and Directed by Vittoria Colonna, starring Wallis Murphy- Gunn.

https://www.facebook.com/Sandboythemovie

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LOST BOY

A story about the imagination of children, and the unbreakable bond between brothers.

Written and Directed by John Christopher

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Caroline is writer and director of FRAMED (2018)  and has also written and co-produced IN RIBBONS (2015) and ADAM (2013). She is the author of the award-winning novel, LADY BETH.

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Irish Women in Film Series: Vittoria Colonna

Vittoria Colonna is an Irish/Italian filmmaker. She studied fine art in Rome’s L’Accademia di Belle Arti, trained as an actor in The Gaiety school of Acting, Dublin and Opera singing in Tuscany. Her visual flair and energy gave Vittoria the opportunity to direct several music videos for, among others, Julie Feeney, Dirty Epics, Preachers Son and The Coronas; winning her the Best-Styled Music Video at the Irish Music Television Awards (IMTV) in 2009, Best Music Video at The Los Angeles Film & Script Festival 2012, Golden Ace Award Winner at The Las Vegas Film Festival 2012 and a Golden Palm Award at The Mexico International Film Festival in San Diego 2012. Most impressively has been the touring success of her feature documentary, Identities, and My Identity which was awarded The Irish Council of Civil Liberties (ICCL) Human Rights Film Award. The performance art pieces from the film were selected as part of the Worldwide Italian Pavilion & 54th International Art Exhibition of the Venice Biennale 2011. Vittoria is also a member of the Screen Directors Guild of Ireland (SDGI).

Welcome Vittoria! Tell us how and why did you get started in the business? 

My journey began with a drive to find out: Why am I here? Who I was and what did I want to achieve from life and when would I have the answers, if ever? Creativity and expression were my strongest tools growing up. I was good at many artistic endeavours but found it hard to master one expertise and so I became a Jacqueline of all trades, so to speak! I painted, sculpted, acted, even trained in Bel Canto, but then found myself falling in love with film. Here I could multitask through the most powerful medium known. The painter in me loved the solitude, the music helped me escape and my inner actor craved for love and catharsis… moving images and stories helped me marry all these desires into directing, writing and producing.

What has been your educational journey in film? Formal or self-taught?

Film is not a pure art form, it’s a mish-mash of creatives, business and so many points of views. You learn to follow your instinct and inner voice. I am mostly self-taught. I had learnt that some teachers should ‘do’ and not teach. I suppose I wanted to make my own path in film and didn’t want to be told how to think and work. Past experiences taught me this lesson. I always had hope that when I was ready the right teacher would come along. Unfortunately I never found him or her, BUT I did discover other filmmakers like myself and formed friendships and joined groups. Film is about relationships and I watched and learnt from others successes and mistakes. I’m still always learning something new from every project.

And your seminal influences?

I have always been influenced by outsiders, survivors, art, artists and story tellers. Even you the reader fascinate me! If you have something to say and with conviction I will listen. I want to connect, to feel excited about a subject and sometimes that can manifest in the strangest places. Of course I have been greatly influenced by amazing directors such as Fellini, Bertolucci, Kubrick, Godard etc… as well as YouTube links by the passionate amateurs. I think I’m constantly switched on to the muse, you never know when she will strike?! Never stop seeking…

So who are your current favourites / influences?

Well this week… Hmmm….I just finished a music video so I have to mention these guys: Romain Gavras (M.I.A -Born Free,  Bad Girls) and Vincent Haycock (Calvin Harris– Jump) for their great work! Also I can’t get enough of Alejandro Gonzalez Inarritu films….hugely inspiring!!

Imagine that you are having a fantasy dinner party. Living or dead, name six people you would love to have as guests around your table.

Only six?! That is tough! Ok an intimate dinner so let’s have the girls over: Actress, Bette Davis could cook. Painter Tamara de Lempicka could serve the guests. My great Grandmother Andrea Torrigiani seated on my right. The artist Frida Kahlo on my left and I would be face to face with the 16th century poet and my ancestor, Vittoria Colonna!

What is your opinion of the current Irish film scene? 

Ireland produces some very high quality indie films, and I love that for such a small country, we really push production values. Our stories are strong in identity but I would love to see more international stories come through here, expanding beyond our cultural cocoon. I want to be surprised and I’m always excited to see bolder, braver choices being made and that includes roles for women. More alternative female characters and stories please!

Can you tell us what has been the highlight of your career so far?

The latest project is always the highlight but I guess I may be known more for some of my music videos and the feature documentary ‘Identities’ which focuses on five transgender stories. I have just finished two projects this month; a music video for The CoronasDreaming Again’ and a short film for TG4/Filmbase ‘4 Queens’ that will be airing in September.

Ultimate goal?

To tell stories that speak to others and myself… Ultimately I want to direct feature films, moving documentaries and internationally high-end music videos.

Thanks, Vittoria. Any final comments you would like to add?

I have recently been questioning the role of women within the film industry. In Cannes this year there was an uproar to the gender imbalance that no female directors were in competition. I’m sure the films were chosen on their merit of which, all directors/creators happened to be men, but in a shocking manifesto entitled “The Cannes Film Festival 2012: a Man is a Man is a Man!,” La Barbe facetiously congratulated the festival’s president Gilles Jacob and the rest of its jurors for failing to include a single female-directed film among its 22 nominees for the 2012 Palme d’Or. The letter was published in the French newspaper Le Monde, “never let the girls think they can someday have the presumptuousness of making movies or to climb those famous Festival Palace steps except when attached to the arm of a Prince Charming.”

Now however ridiculous this sounds, this argument does raise questions: Do some of us ladies still feel hindered to become directors? If so, is it because we halt careers due to family restraints? Maybe because we think the director’s job is still predominately a man’s role? Or do we feel limited to a stereotype role of only producing ‘sensitive or ‘empathic’ stories, hindering our creative voices? (Kathryn Bigelow certainly breaks this cliché!) I don’t have the answers but I have my opinions, for sure. I know breaking into this industry is no easy task and takes contacts, time and sacrifice, regardless of your gender, but at least the results are worthwhile!

“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.” ~ Martin Luther King Jr.

On Reflection 2011…

Last post of 2011, and like all seriously driven writers and artists should, time to reflect on work done and results of same that will hopefully lead to bigger and better for 2012.

Most of us can be rather critical of our offerings, and I am no exception, so this exercise is really about savouring the good stuff that has been generated this year, acknowledging the talent that I am collaborating with, and also those who have inspired and encouraged me to move forward, do better and most importantly, to keep the faith!

So, the year kicked off with a meeting with Irish/Italian Director, Vittoria Colonna, a powerhouse of talent, beauty and creative energy, and between us, our collaborative project The Captives, which is set in Florence, Italy, has emerged. The first draft was longlisted for the BAFTA Rocliffe New Writing Forum, Edinburgh 2011, and though there is still some way to go with it, we are getting there…

The Literary Journal, REVIVAL, published an extract from my as yet, unfinished novel, LADY BETH. This is also a screenplay that continues to be close to my heart, and one that I intend to keep pushing towards development. In July, IFTA, in collaboration with the Galway Film Festival, awarded the screenplay a one-to-one consultation with Gill Dennis, Master of the American Film Institute and screenwriter of Walk The Line, amongst others. He has mentored a new  generation of filmmakers, including Jonathan Levine (The Wackness), Jacob Estes (Mean Creek) and Goran Dukic (Wristcutters). A true professional and a gentleman, Gill was highly supportive of LADY BETH, and subsequently put me in touch with a very talented, emerging director, whom Gill has also mentored through the AFI. I am very grateful to Gill for his encouragement, and for making those connections with great people and their continuing work to bring the project forward…exciting stuff…

I have still to master the art of the pitch document, so when two of my projects, Arkyne and Lady Beth, were longlisted for the Fresh Voices Pitch Awards, I was pretty chuffed. Particularly with Arkyne, which was the first screenplay I wrote, and began as such an epic tale, I have decided to finally stop faffing around and complete the novel version, Vampire of Arkyne. I should have the draft ready sometime in 2012…

In August, you can just picture the happy gig when my family fantasy script, PIXER KNOWS!, was awarded the Altantis Prize at the Moondance International Film Festival. Another labour of love, it is a big-budget concept, but so far, despite the win, it has been difficult to get the attention of producers, but, I shall persevere…

Two of my screenplays, both of the horror genre, were placed in international competitions, The Lupii, a quarter-finalist in Write Movies Competition, and Evanescence, a second round qualifier of the PAGE International Screenplay awards. Both are early drafts, so I will be doing some work on them in 2012. For whatever reason, I get a real kick out of writing the horror stuff…for those who know me well, that ain’t no surprise at all…

My blog post on Irish Director Terry McMahon’s abrasively brilliant indie film, Charlie Casanova, went far and wide, mainly due to the fact that Terry posted it on his facebook page…great comments on the post, and indeed, the film, of which praise is certainly well deserved!

Also, I need to give a shout out to the members of my Screenwriting Group for their support and endurance of my meanderings, and to Dermot Tynan of Claddagh Films, for his positive actions, as opposed to just talking encouragement…much appreciated…

So, all and all, on the writing front, it has been a positively productive year, which generated work and new relationships that I hope, will carry on into 2012…and as I contemplate the beginnings of, as yet, undreamed worlds, I will end on the wisdom of Shakespeare…

To unpathed waters, undreamed shores.