On Reflection 2011…

Last post of 2011, and like all seriously driven writers and artists should, time to reflect on work done and results of same that will hopefully lead to bigger and better for 2012.

Most of us can be rather critical of our offerings, and I am no exception, so this exercise is really about savouring the good stuff that has been generated this year, acknowledging the talent that I am collaborating with, and also those who have inspired and encouraged me to move forward, do better and most importantly, to keep the faith!

So, the year kicked off with a meeting with Irish/Italian Director, Vittoria Colonna, a powerhouse of talent, beauty and creative energy, and between us, our collaborative project The Captives, which is set in Florence, Italy, has emerged. The first draft was longlisted for the BAFTA Rocliffe New Writing Forum, Edinburgh 2011, and though there is still some way to go with it, we are getting there…

The Literary Journal, REVIVAL, published an extract from my as yet, unfinished novel, LADY BETH. This is also a screenplay that continues to be close to my heart, and one that I intend to keep pushing towards development. In July, IFTA, in collaboration with the Galway Film Festival, awarded the screenplay a one-to-one consultation with Gill Dennis, Master of the American Film Institute and screenwriter of Walk The Line, amongst others. He has mentored a new  generation of filmmakers, including Jonathan Levine (The Wackness), Jacob Estes (Mean Creek) and Goran Dukic (Wristcutters). A true professional and a gentleman, Gill was highly supportive of LADY BETH, and subsequently put me in touch with a very talented, emerging director, whom Gill has also mentored through the AFI. I am very grateful to Gill for his encouragement, and for making those connections with great people and their continuing work to bring the project forward…exciting stuff…

I have still to master the art of the pitch document, so when two of my projects, Arkyne and Lady Beth, were longlisted for the Fresh Voices Pitch Awards, I was pretty chuffed. Particularly with Arkyne, which was the first screenplay I wrote, and began as such an epic tale, I have decided to finally stop faffing around and complete the novel version, Vampire of Arkyne. I should have the draft ready sometime in 2012…

In August, you can just picture the happy gig when my family fantasy script, PIXER KNOWS!, was awarded the Altantis Prize at the Moondance International Film Festival. Another labour of love, it is a big-budget concept, but so far, despite the win, it has been difficult to get the attention of producers, but, I shall persevere…

Two of my screenplays, both of the horror genre, were placed in international competitions, The Lupii, a quarter-finalist in Write Movies Competition, and Evanescence, a second round qualifier of the PAGE International Screenplay awards. Both are early drafts, so I will be doing some work on them in 2012. For whatever reason, I get a real kick out of writing the horror stuff…for those who know me well, that ain’t no surprise at all…

My blog post on Irish Director Terry McMahon’s abrasively brilliant indie film, Charlie Casanova, went far and wide, mainly due to the fact that Terry posted it on his facebook page…great comments on the post, and indeed, the film, of which praise is certainly well deserved!

Also, I need to give a shout out to the members of my Screenwriting Group for their support and endurance of my meanderings, and to Dermot Tynan of Claddagh Films, for his positive actions, as opposed to just talking encouragement…much appreciated…

So, all and all, on the writing front, it has been a positively productive year, which generated work and new relationships that I hope, will carry on into 2012…and as I contemplate the beginnings of, as yet, undreamed worlds, I will end on the wisdom of Shakespeare…

To unpathed waters, undreamed shores.