Honoured to be featured in booksbywomen.org with my piece on writing a heroine’s journey.
Honoured to be featured in booksbywomen.org with my piece on writing a heroine’s journey.
My novel, LADY BETH is out there…seeking honest reviews…and here’s why!
My book is finally published, and I curl up in a quiet corner to rest, sleep, ruminate on the exhausting, though hopefully, exhilarating process I have just experienced in the writing – the editing – the formatting – the cover design – the launch!
And then I remember – I ain’t finished yet. Not by a long shot!!
Next I have to market my baby, get it out there, get it SEEN, get it READ, get it ENDORSED, get it REVIEWED!
I am not complaining. I am proud of my work and I enjoy the process, all of it. And I know what my goal here is. Simply, for my work to be READ.
It might seem obvious to say that book reviews engage readers. Worth repeating though. Book reviews, when they are honest, constructive and hopefully, positive, give kudos to a book, and therefore, allow potential readers to have confidence to know that the book is quality. That it is worth the spend of their hard-earned cash, and their precious time.
An interesting point to note also is that all reviews do not have to be 5 Stars – as long as an average of 3.5 stars or higher can be achieved, and that the reviews are from genuine and discerning readers, it is the quantity of reviews that count, no matter how short or long those reviews are.
Book reviews on Amazon are tied in to that lovely system of algorithms – Amazon rank books according to their popularity, the more reviews the book gets, the more the book gets seen! The more the book gets seen, the more potential readers…
If you are reading this, you are a reader. If you’ve recently read a book that you’ve enjoyed, consider giving it a review – you’ll be supporting, not just authors, but readers too. Share the good word!
LADY BETH is available from AMAZON Stores.
I never kept diaries as a kid, and even today, as a devout scribbler, I find that the most trying times are the ones that are difficult to write down, in that moment, anyway. So it often becomes a shorthand of blunt sentences, enough to revisit when the crisis is over. Enough to jolt the memory, or for inspirational purposes, to fire the imagination; representing the real, I like to call it!
There are people however, some who don’t even consider themselves to be writers, who do manage to record their experiences in intricate detail, however traumatic, putting pen to paper at every point of their journey, until coming out at the other side of it. Talking to a female acquaintance recently on a rather difficult experience she had gone through, she told me that she would not have remembered or been able to describe what happened to her so vividly, had she not been writing it down as she experienced it. It was important for her to remember; to have it recorded for the future.
“You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
So wrote Anne Lamott. An accomplished writer, her non-fiction work is greatly influenced by her own struggles, her writing best described by the author herself; “I try to write the books I would love to come upon, that are honest, concerned with real lives, human hearts, spiritual transformation, families, secrets, wonder, craziness—and that can make me laugh.” I posted Lamott’s quote on my Facebook page a while back, and a writer friend responded with another quote, from the late and great, Nora Ephron:
“Everything is copy.”
In the introduction to her novel, Heartburn (based on her personal experience of a marriage break-up) the wonderful Ephron elaborated further when she wrote of becoming the hero, rather than the victim of the joke. I am sure that many of us can identify with the sentiment? Not that I advocate dusting down tomes of snotty, tear-stained journals of youth and regurgitating a narrative of some exquisitely nostalgic pain-ridden experience. Nor indeed, some vengeful tale of ridicule to spite the target of your blame – though, it has to be said that all is fair in the land of fiction – so whatever floats your boat!
Recorded on paper or not, with distance, time-passing and maturity, and perhaps with a third-person narrative, stories of self can come to life in three-dimensional worlds that make meaning of experience, and hopefully generate empathy and connection with others. Removing the shield of author, and stripping away the mechanisms that hide the fragility of a human being alone, we know what we experienced, and we know how it felt. How we looked out at the world and the people in it, how we continue to do that. The difference between being a child as opposed to being an adult is that, as the former, we are powerless to our fate, and powerless to change anything. Becoming the latter enables empowerment to not only steer our own course, but more importantly, to change our ways of thinking, reacting and of just being. We can decide to be weak, or we can determine to be strong, and to analyse our past to the point of not wallowing in the soreness of it, but in recognizing how our experiences have shaped us – and perhaps, to step outside of it all, to write it out in a fictional world as we look back in; the spectator.
Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth. [Oscar Wilde]
For the writer’s inspiration, this is gold. For the writer’s soul, this is life.
Photograph is the copyright of Errol Farrell. 2017
I like the term Indie Publishing. I’m an Indie Filmmaker – putting skin in the game to get my films made. I am a storyteller. I write screenplays. I write fiction. So when it comes to novels, why wouldn’t I take the independent route as well? Just like the film industry, you only learn in the ‘doing’ when it comes to writing and producing work, and the past couple of years have taught me a lot in terms of the publishing industry in all of its tranches; traditional, assisted – and self-publishing – of which I have now well and truly dipped the proverbial toe.
I’ve also experimented through the gamut of submitting the traditional way, to writing online and publishing my efforts for feedback, to publishing a finished work in ebook format, to going through the whole shebang with the paperback. I’ve made mistakes and thankfully, my readers have been both encouraging and forgiving. I have learned so much from them, and am grateful. There are also organisations that are invaluable to the advocacy and learning process of self-publishing, The Alliance of Independent Authors being at the forefront of ensuring professionalism and a code of standards.
While working through all of the above, I also sent out a sample of my novel to three of the biggest agents in Ireland; one has yet to reply. The other two did, in quick time, and with professionalism and honesty. While both gave positive and constructive comments on my work, both also stated that they are working in very difficult market conditions, which without doubt, limits the selection of work they can afford to take on. I completely understand that, and have so much admiration for publishing companies who take a chance on new writers and who keep supporting established ones. My experience as a Librarian for almost twenty years, working on a literary festival for seven, I’ve also talked to so many authors from all sides of the industry, whom I greatly admire, and reckon I’ve garnered a pretty comprehensive knowledge of how things work. It’s a tough game. Authors work hard. Publishers work hard. Respect. For now though, I don’t have the advantage of a publishing house at my back for the essentials of editor, proof reads, cover design, marketing and promotion, but I’m managing all that, and continue to learn from it.
Ultimately, the culmination of all of that accumulative learning and ‘doing’ is the fact that I am now in a position to make an informed decision on what is right for me at the present time; to stick with Indie Publishing. And here are my top ten reasons for doing so:
I’ve never been a fan of labels, I want to express my writing in the genres and formats that feel right for me. and whether I work on a screenplay, a novel, or a short story, in the end, I am a storyteller.
LADY BETH is available from Amazon Stores.
ARKYNE,STORY OF A VAMPIRE is available from Amazon Stores.
I’ve been away from the blog for a bit, but delighted to announce that I have finally sent the manuscript of my novel, LADY BETH off to my editor. Very, very excited about this one, and the beautiful cover will be revealed soon.
Now the waiting game begins…wish me luck!!
Memory makes history, and with time, the past becomes a collection of stories, some perhaps, better than others.
The bad ones – if you find a way to exorcise them – lose their power over you. Writing them down is one such way, breathing through that white space between the words.
Detachment – just enough to write in the third person – is looking outside of the experience, and hopefully, through a fresh pair of eyes, further embeds that stripping of power; seeing it play out from another perspective. Releasing.
Appreciate the white space – where you, your characters and your readers can breathe…
Many thanks to Writers and Authors for featuring my guest post.
To write fictional characters, we must know them, inside and out, before we can feel empathy for them, and before we can understand why and how they will do the things that we will make them do, and say the words that we will make them say. In other words, we must believe that they are real flesh and blood, with all of the wonders and foibles that go along with that. Only then, can we really write them in any meaningful way. This is nothing new to any writer worth their salt, right? And of these knowing writers, who does he/she choose to analyze the most? The writer’s self: as Confucius say – no matter where you go, there you are.
We are not just students of the human condition. We are our own subject matter. How we operate. How we relate, articulate, disseminate the world, our lives, our wants, our needs. And what of our secret selves? The histories, the pain, the faded and vivid memories, the disappointments, the yearnings, the unchartered dreams, the joys? The stuff that shapes us, the stuff that we never show and tell? Our interior lives – where the most fascinating secrets dwell to influence how we choose to live and the paths we take.
Stories of self can come to life in three-dimensional worlds that make meaning of experience, and hopefully generate empathy and connection with others. Removing the shield of author, and stripping away the mechanisms that hide the fragility of a human being alone, we know what we experienced, and we know how it felt. How we looked out at the world and the people in it, how we continue to do that. The difference between being a child as opposed to being an adult is that, as the former, we are powerless to our fate, and powerless to change anything. Becoming the latter enables empowerment to not only steer our own course, but more importantly, to change our ways of thinking, reacting and of just being. The fictional life is no different. And it is the challenge for the writer to pick away at those layers of being until exposing that space between what is seen in the character’s exterior life, and what is hidden in their interior one. The secret place of the human condition that exposes the reasoning behind our every action, and towards those surprises and discoveries that will lead us to chart a compelling arc for our character.